Frankly, the last thing I expected to be thinking about this morning was my Sim and her gross approximation of a life, but despite my crunchy and delicious outer shell of Cajun blackened cynicism that strange talking avatar and her adorable pucker of a smile have made an impression.
My 11th grade English teacher once told me that the best an artist could hope for, in any medium, is to get a physical reaction out of their audience. I was never comfortable with that assertion. If that was all, couldn’t most pornography stand as the greatest artistic achievement of all time?
Plants vs. Zombies, the latest crack-infused Oreo cookie from Popcap Games, is an excellent strategy game. It succeeds in essentially everything it sets out to do: It's approachable, it is indeed strategic, it's replayable and it's funny.
"What's that daddy?"
It's my son, Peter.
"Shhhhh...." I chastise him. Without a beat, he shifts to a whisper. "What's that daddy?"
"It's an elk," I whisper.
He hops onto my lap, and for the next 20 minutes we work our way closer.
I am dressed in a one piece bikini, wearing a gladiator helmet, carrying a rocket launcher and blowing an illicit casino in the basement of a community center into tiny explosive bits. I am insanity with ordinance. I am death in a funny Halloween costume. I am a Saint.
[center]"Somewhere else is, perhaps, understatement."
-- Aaron A. Reed, Blueful[/center]
What the hell is Blueful?
On the surface, Blueful--half-short story, half-viral marketing--is a surreal, follow-the-link-style scavenger hunt.
"This is not for you." - House of Leaves, Mark Danielewski
It took me months to get back to Braid.
When the indie platformer arrived on Xbox LIVE Arcade in August of 2008, I knew little about it. But based on people I trust, and the artwork of David Hellman, I bought it the day it came out.
It was clear within moments that the game was trying to do something special.