The comic is good, but it's not really a long running series. 5 issues I think. Excellent stuff.
There are a few key scenes from the comic just in the trailer, it looks good as an adaptation, and it's directed by the guy who did the Dawn of the Dead remake, which I enjoyed.
I clicked on his info on imdb and...Watchmen is listed? When did that get resurrected?
Yeah, otherwise known as "The Hot Gates". It's worth picking up. It's got that Frank Miller touch, but not as many "True Hollywood Story" or made for tv movie-ish liberties taken as you'd expect.
Eh the only thing I didn't like from the comic was the hunchback of sparta. Otherwise the art and story I thought were well worth the price off the graphic novel.
I apologize in advance for dragging this into P&C, but this trailer looks like the exact movie a Wilhelminian German would've made if he had had the means of today's Hollywood. I just don't have patience for this.
And if I haven't seen further, it's because those bloody giants blocked my sight.
I apologize in advance for dragging this into P&C, but this trailer looks like the exact movie a Wilhelminian German would've made if he had had the means of today's Hollywood. I just don't have patience for this.
I don't get this reference. Were Wilhelminian's long-winded or something?
I think he made him a hunchback to make the character more sympathetic than "Jerk who sold out his countrymen", and at the same time not make him the victim as someone who suffered at the hands of the Spartans for years. Story-wise, it wasn't a bad solution.
I don't get this reference. Were Wilhelminian's long-winded or something?
Wilheliminianism, named after the last emperor of Germany, William (Wilhelm) II, was a strongly militaristic cultural movement that dominated German society on the eve of WW1 and had strong influences on pre-Third Reich Germany.
The battle of the Thermophylae was seen as one of the big ideals to aspire to. One saw the German soldiers as the modern equivalents of the Spartans and tried to emphasize such 'virtues' as blind loyalty, mercilessness towards the enemy, and a lack of fear of death, all of which were found in that historical event. Quite a few pointless heroic last stands in WW1 were based on the words "Wanderer, if you come to Sparta, tell them..."
And if I haven't seen further, it's because those bloody giants blocked my sight.
I don't get this reference. Were Wilhelminian's long-winded or something?
Wilheliminianism, named after the last emperor of Germany, William (Wilhelm) II, was a strongly militaristic cultural movement that dominated German society on the eve of WW1 and had strong influences on pre-Third Reich Germany.
The battle of the Thermophylae was seen as one of the big ideals to aspire to. One saw the German soldiers as the modern equivalents of the Spartans and tried to emphasize such 'virtues' as blind loyalty, mercilessness towards the enemy, and a lack of fear of death, all of which were found in that historical event. Quite a few pointless heroic last stands in WW1 were based on the words "Wanderer, if you come to Sparta, tell them..."
So, a significant historical event should be ignored because it was used by a nation to glorify their long tradition of militarism and authoritarian culture? You also put 'virtues' in quotes, as in the ideals and inspirations of other cultures are somehow not really virtues in your eyes because you don't agree with them.
I'm not saying they were saints, but it's just as hippocritical to look down the nose at a culture for being authoritarian simply because yours isn't.
"Poor Eli Nooo... *child starts crying*"
"Come on now, there's no need to make that kind of noise. It sounds awful and you'll upset other people." - Ionae from Spirit Engine 2
Nemesis never actually said that the Battle of Thermophylae should be ignored historically. He just said that he doesn't have the patience for a movie that glorifies the ideals of Sparta, because that sort of presentation too closely resembles a tragic moment from his country's past. I think that's fair enough, and certainly not hypocritical at all.
"Today's Tom Sawyer, he gets high on you, Kat. You." - Haakon7
The record will show that I apologized for this derailment in advance.
PyromanFO wrote:
I'm not saying they were saints, but it's just as hippocritical to look down the nose at a culture for being authoritarian simply because yours isn't.
Actually, no, I don't think that's hypocritical. I don't like to see an authoritarian system glorified because I have a rather good idea of where that kind of culture leads its members. Call that "looking down the nose" if you will, I'll call it learning from history.
PyromanFO wrote:
So, a significant historical event should be ignored because it was used by a nation to glorify their long tradition of militarism and authoritarian culture? You also put 'virtues' in quotes, as in the ideals and inspirations of other cultures are somehow not really virtues in your eyes because you don't agree with them.
I'd like to thank Kat for already clarifying here.
I don't object to a portrayal of the Battle of Thermophylae. I object to this style of portrayal. I have not read the comics (Frank Miller's writing generally doesn't do 'it' for me), but from the trailer, it appears as though the Spartans with their martialic mannerism are shown as the shining heroes of the event. It is apparently implied that overtly aggressive behaviour (what Mex described as shoutyness) is not only acceptable, but encouragble, that it is enviable to ignore basic rules of coexistence (the shouty guy shoving what appears to be an ambassador into the pit), and that a culture based on rampant social darwinism will produce nothing but seemingly perfect human beings (And an ugly traitor. Whoop-de-do.).
Each of these points may be due to poor choices in the creation of the trailer, but I can only judge it by what I see.
And if I haven't seen further, it's because those bloody giants blocked my sight.
Well the messenger in the comic was cocky as he was representing xerxes army of men who shake the earth when they move and drink the rivers dry. All the god king wanted (xerxes) was earth and water to show fealty. The Spartan king pretty much pushed him down the well saying there was earth and water down there. The messenger as he falls calls the spartans mad, to which the king replies this is sparta. I mean come on the spartans were crazy!
I don't think it was about ignoring basic rules of co-existing(I'd say xerxes was ignoring the rules). I think it was about how prideful, and crazy spartans were that they would stand against such a huge army that I think was estimated at 2 million strong?
I agree with you on the hunchback of sparta.
I'm expecting it to be different than the comic much like how V was different. Still I thought it looked interesting and will probably go see it. I'm curious if it's going to be allegorical of iraq, or a superpower bullying a smaller nation or something.
It definitely looks good, regardless of the politics. Does this count as the first Frank Miller work where the men wear less than the women? (Not that I'm complaining...)
I don't object to a portrayal of the Battle of Thermophylae. I object to this style of portrayal. I have not read the comics (Frank Miller's writing generally doesn't do 'it' for me), but from the trailer, it appears as though the Spartans with their martialic mannerism are shown as the shining heroes of the event. It is apparently implied that overtly aggressive behaviour (what Mex described as shoutyness) is not only acceptable, but encouragble, that it is enviable to ignore basic rules of coexistence (the shouty guy shoving what appears to be an ambassador into the pit), and that a culture based on rampant social darwinism will produce nothing but seemingly perfect human beings (And an ugly traitor. Whoop-de-do.).
Each of these points may be due to poor choices in the creation of the trailer, but I can only judge it by what I see.
Were you as offended by Sin City? Seems that Frank Miller enjoys telling stories about characters that use "overtly aggressive behaviour". I'm not saying you shoud enjoy those stories, but you might as well be offended by all of them, not just ones based on one battle, if that is indeed your issue.
Your argument would infer that we should be just as offensded by The Sopranos, Pulp Fiction, and Fight Club. If that's the case, you're really better off just avoiding these kinds of movies and shows, rather than trying to convince this audience that these are things we should all be avoiding. You are going to be met with a healthy amount of resistence, if not outright ridicule if you want to convince people this type of entertainment is such a bad thing.
I don't think he was trying to convince anyone of anything. Just stating an opinion.
And the parallels with those other examples don't exactly work. The characters in those shows/movies are anti-heroes, the whole point being that they're really not all that admirable, even if we can relate to them on a certain level. While in the 300, the characters are portrayed as extremely heroic, upstanding (if by a different set of values) men.
In the case of the battle of Thermopylae, I don't think it falls into the category of what you're describing Nemesis (and while I know it's been used that way in the past, I don't feel Miller's version is pro-aggression), partly because they, well, they all die, and partly because in this instance at least, the Greeks are for once not the aggressors. The hunchback that everyone seems to hate is kind of the anti-Spartan ideal, true, but in the comic he is not ridiculed or abused, but he is turned away when he asks for a chance to fight in the battle, because he is physically incapable of working in formation with the phalanx. He betrays them because of this, and his remorse drives him to kill himself.
I think it's hard to have an argument over overtly aggressive behavior of the Spartans, they were a people who placed a great deal of stock in being warriors, but I would say that it was a very aggressive era, and that the Persians were no less aggressive, perhaps even more so, seeing as how far the empire had spread.
So I suppose what I'm saying is that while I can see why you'd be jaded against another interpretation of the story, given certain abuses of it in world history and Germany's history, that I don't feel "300" is guilty of the same abuses, and that you might enjoy it if you picked it up. It's only 5 issues, and I'm pretty sure they've collected them into one volume by now.
Edit: Just out of curiousity, how does that version of the quote end? And how is it interpreted?
A further discussion makes little sense since I haven't read the comics and thus can only nod and smile here. Thank you for your points, if I ever get the opportunity of reading 300 without of paying for it (my objections to Miller's general style of prose hold), I will.
The quote was a quick and dirty translation of Simonides' Epigram, the 'epitaph' of the 300 warriors. The usual English translation seems to be:
Quote:
Go tell the Spartans, stranger passing by,
that here, obedient to their laws, we lie
Translating the German version literally, it goes:
Quote:
Stranger, if you come to Sparta,
tell them you saw us lie here,
according to our vows.
The interpretation is relatively obvious, I guess: It's a text showing appreciation of a group of people loyal to their deaths, after their death, thus implying that this sacrifice was not only for a greater good, but also that it was remembered, and cherished.
Accordingly, it was often used in Germany's long history of putting its sons into places where the best they could hope for was death. When Hitler gave the order to fight to the last man in Stalingrad, he referred to this quote.
And if I haven't seen further, it's because those bloody giants blocked my sight.
but from the trailer, it appears as though the Spartans with their martialic mannerism are shown as the shining heroes of the event. It is apparently implied that overtly aggressive behaviour (what Mex described as shoutyness) is not only acceptable, but encouragble, that it is enviable to ignore basic rules of coexistence (the shouty guy shoving what appears to be an ambassador into the pit), and that a culture based on rampant social darwinism will produce nothing but seemingly perfect human beings (And an ugly traitor. Whoop-de-do.).
I'll have to read the comic as I have it sitting around somewhere, but I guess when I see the words "Frank Miller's ...." I assume they're anti-heroes. People who don't give a damn about anybody else and just frankly are not very nice people. Also ... it's a trailer. I don't think the entire depth of the movie's portrayl of Spartans is going to shine through
That said, I mainly objected because I thought you were an American college student criticising authoritarian militaristic culture and I enjoy taking pot shots at hippies. Since you actually live in Germany and I've never been there, I'll defer to your judgement in this case.
"Poor Eli Nooo... *child starts crying*"
"Come on now, there's no need to make that kind of noise. It sounds awful and you'll upset other people." - Ionae from Spirit Engine 2
I think you'd find similar sentiments not just in Germany but in the other European countries involved in WW1. The Brits had their ideals of Christian sacrifice for one's brothers by walking into machine gun fire, and the French idea of the offensive was derived from the idea that as long as you were brave enough to charge into machine gun fire you would beat the other guy because of your superior morale. Not all of that came from embracing greek literature and the cult of the Spartan warrior, but these aren't attitudes we have to worry about very much now in Europe or America.
More of an issue in Arab lands if you ask me, but they probably won't see 300 for a while.
It has been suggested - with some reason, if you ask me - that parts of contemporary American culture and Wilhelminianism are comparable:
Wilhelminians argued that the best way of educating a young man - the best way to "make a man of him" was military drill. This opinion finds itself reflected in American movies, in the success of 'boot camps' for misbehaving kids, or opinions that a good person of authority should have served in the forces.
Wilhelminians argued that a nation's foremost pride had to be its military. In contemporary American politics, any single candidate, no matter of what opinion, will try to give the impression that he "supports our troops", that he "stands behind the troops", no matter what kind of actions were performed by the military lately. Even during the height of Abu Guhreib, everyone still proclaimed how much they supported the troops.
Wilhelminians were absolutely convinced that God was with a single nation, and that nation was Germany.
When Germany lost WW1, Wilhelminians were quick to point out that the German military stood "unbeaten in the field". They created the "Daggerthrust-Legend" which argued that the defeat was due to left politicians and pacifists staging a revolution on the "home front". Talked to a conservative American about Vietnam lately?
Note that I bolded that "parts" at the beginning. This, like any other sweeping generalization on the national level, limps: The mentioned traits are only a selection of what defined Wilhelmianism and are in turn only applicable to a selection of Americans.
Still, Germany also included other cultural movements before the Great War broke out. I believe there's a very dangerous kind of nationalistic militarism loose in parts of America's culture, and this trailer struck me as a rather obvious example for this.
And if I haven't seen further, it's because those bloody giants blocked my sight.
Wilhelminians argued that a nation's foremost pride had to be its military. In contemporary American politics, any single candidate, no matter of what opinion, will try to give the impression that he "supports our troops", that he "stands behind the troops", no matter what kind of actions were performed by the military lately. Even during the height of Abu Guhreib, everyone still proclaimed how much they supported the troops.
This has to be understood in the context of U.S. history. There's a difference between supporting the "troops" and supporting the "military". We've had 30 years to accept how shamefully the soldiers returning from Vietnam were treated by opponents of that war. Spit on, called babykillers. Looking back, I think even vocal anti-war activists realize that the overwhelming majority of the men did not deserve what they got. They were just guys, many drafted, thrown into a sh*tty situation without any say in the matter. We may not have the draft now, but most of the soldiers in Iraq did not ask to be sent there, did not expect to be sent there, and now don't have any real choice in the matter.
Supporting the troops means you want these guys to get home safe and you recognize that they aren't the ones making decisions.
Fedaykin98 wrote:
Good lord, I wouldn't have expected brilliance like that from that nemeslut Quintin Stone!
You're right, Zero, the Whilelmian movement used the Battle of Thermpylae as propoganda, but who cares?
Maybe you should reread your Plutarch and Herodotus, the story of this battle is the story of sacrificing oneself for the better good of many. Which, I think, is also the basis of the world's most popular religious movement.
From what I see in the trailer they explain why the Spartans were such bad-asses -and they were incredible bad-asses- and I hope that Miller includes all the cool things that Plutarch has Leonidas say. I don't see anything in this few minute long trailer that would lead me to believe that all the movie is about is creating a centralized, militaristic society. But then, not being from Germany, maybe I'm not sensitive to these things.
I just downloaded the new trailer off of Live, and...I'm excited all over again. The teaser was nothing, this movie looks absolutely amazing. Even the colors were, um, amazing.
Hopefully it'll be more than just another pretty special effects face.
The comic is good, but it's not really a long running series. 5 issues I think. Excellent stuff.
There are a few key scenes from the comic just in the trailer, it looks good as an adaptation, and it's directed by the guy who did the Dawn of the Dead remake, which I enjoyed.
I clicked on his info on imdb and...Watchmen is listed? When did that get resurrected?
"YOU SPOIL, YOU GET SPOILED! AAAAHAHAHAHAHA!"
Those spartans sure are shouty.
"SPARTaAAANS! WHO TOOK MY SHIRT?! THIS IS WAAAAAAAR"
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300 is good, fun stuff. I thought they were making a movie out of "Gates of Fire" as well, but perhaps the dual flops of Troy and Alexander killed it.
Quote:
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I didn't think much of the comic, myself. Something about the art style just didn't click.
Danjo Olivaw Lives
Trailer is nice, due mostly to the NIN.
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I believe this is about the battle of Thermopylae, yes?
So a film adaptation of a comic about a historical event. Or something.
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Yeah, otherwise known as "The Hot Gates". It's worth picking up. It's got that Frank Miller touch, but not as many "True Hollywood Story" or made for tv movie-ish liberties taken as you'd expect.
"YOU SPOIL, YOU GET SPOILED! AAAAHAHAHAHAHA!"
Eh the only thing I didn't like from the comic was the hunchback of sparta. Otherwise the art and story I thought were well worth the price off the graphic novel.
I apologize in advance for dragging this into P&C, but this trailer looks like the exact movie a Wilhelminian German would've made if he had had the means of today's Hollywood. I just don't have patience for this.
And if I haven't seen further, it's because those bloody giants blocked my sight.
I don't get this reference. Were Wilhelminian's long-winded or something?
I think he made him a hunchback to make the character more sympathetic than "Jerk who sold out his countrymen", and at the same time not make him the victim as someone who suffered at the hands of the Spartans for years. Story-wise, it wasn't a bad solution.
"YOU SPOIL, YOU GET SPOILED! AAAAHAHAHAHAHA!"
Wilheliminianism, named after the last emperor of Germany, William (Wilhelm) II, was a strongly militaristic cultural movement that dominated German society on the eve of WW1 and had strong influences on pre-Third Reich Germany.
The battle of the Thermophylae was seen as one of the big ideals to aspire to. One saw the German soldiers as the modern equivalents of the Spartans and tried to emphasize such 'virtues' as blind loyalty, mercilessness towards the enemy, and a lack of fear of death, all of which were found in that historical event. Quite a few pointless heroic last stands in WW1 were based on the words "Wanderer, if you come to Sparta, tell them..."
And if I haven't seen further, it's because those bloody giants blocked my sight.
I'm not saying they were saints, but it's just as hippocritical to look down the nose at a culture for being authoritarian simply because yours isn't.
"Poor Eli Nooo... *child starts crying*"
"Come on now, there's no need to make that kind of noise. It sounds awful and you'll upset other people." - Ionae from Spirit Engine 2
Nemesis never actually said that the Battle of Thermophylae should be ignored historically. He just said that he doesn't have the patience for a movie that glorifies the ideals of Sparta, because that sort of presentation too closely resembles a tragic moment from his country's past. I think that's fair enough, and certainly not hypocritical at all.
"Today's Tom Sawyer, he gets high on you, Kat. You." - Haakon7
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I typed four different replies and each was either too cynical, too sarcastic, too aggressive, or all of the above.
Suffice to say, Sparta is not WWI Germany and WWI Germany is not Sparta - regardless of what the Germans at the time wanted to believe.
It might be worth it to give the movie a chance.
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I think the movie looks very cool, very stylistic versus the "realism" of Troy and Alexander.
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The record will show that I apologized for this derailment in advance.
Actually, no, I don't think that's hypocritical. I don't like to see an authoritarian system glorified because I have a rather good idea of where that kind of culture leads its members. Call that "looking down the nose" if you will, I'll call it learning from history.
I'd like to thank Kat for already clarifying here.
I don't object to a portrayal of the Battle of Thermophylae. I object to this style of portrayal. I have not read the comics (Frank Miller's writing generally doesn't do 'it' for me), but from the trailer, it appears as though the Spartans with their martialic mannerism are shown as the shining heroes of the event. It is apparently implied that overtly aggressive behaviour (what Mex described as shoutyness) is not only acceptable, but encouragble, that it is enviable to ignore basic rules of coexistence (the shouty guy shoving what appears to be an ambassador into the pit), and that a culture based on rampant social darwinism will produce nothing but seemingly perfect human beings (And an ugly traitor. Whoop-de-do.).
Each of these points may be due to poor choices in the creation of the trailer, but I can only judge it by what I see.
And if I haven't seen further, it's because those bloody giants blocked my sight.
Apology refused. The derailment is much more interesting than the rail.
Danjo Olivaw Lives
Well the messenger in the comic was cocky as he was representing xerxes army of men who shake the earth when they move and drink the rivers dry. All the god king wanted (xerxes) was earth and water to show fealty. The Spartan king pretty much pushed him down the well saying there was earth and water down there. The messenger as he falls calls the spartans mad, to which the king replies this is sparta. I mean come on the spartans were crazy!
I don't think it was about ignoring basic rules of co-existing(I'd say xerxes was ignoring the rules). I think it was about how prideful, and crazy spartans were that they would stand against such a huge army that I think was estimated at 2 million strong?
I agree with you on the hunchback of sparta.
I'm expecting it to be different than the comic much like how V was different. Still I thought it looked interesting and will probably go see it. I'm curious if it's going to be allegorical of iraq, or a superpower bullying a smaller nation or something.
It definitely looks good, regardless of the politics.
Does this count as the first Frank Miller work where the men wear less than the women? (Not that I'm complaining...)
Were you as offended by Sin City? Seems that Frank Miller enjoys telling stories about characters that use "overtly aggressive behaviour". I'm not saying you shoud enjoy those stories, but you might as well be offended by all of them, not just ones based on one battle, if that is indeed your issue.
Your argument would infer that we should be just as offensded by The Sopranos, Pulp Fiction, and Fight Club. If that's the case, you're really better off just avoiding these kinds of movies and shows, rather than trying to convince this audience that these are things we should all be avoiding. You are going to be met with a healthy amount of resistence, if not outright ridicule if you want to convince people this type of entertainment is such a bad thing.
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I don't think he was trying to convince anyone of anything. Just stating an opinion.
And the parallels with those other examples don't exactly work. The characters in those shows/movies are anti-heroes, the whole point being that they're really not all that admirable, even if we can relate to them on a certain level. While in the 300, the characters are portrayed as extremely heroic, upstanding (if by a different set of values) men.
In the case of the battle of Thermopylae, I don't think it falls into the category of what you're describing Nemesis (and while I know it's been used that way in the past, I don't feel Miller's version is pro-aggression), partly because they, well, they all die, and partly because in this instance at least, the Greeks are for once not the aggressors. The hunchback that everyone seems to hate is kind of the anti-Spartan ideal, true, but in the comic he is not ridiculed or abused, but he is turned away when he asks for a chance to fight in the battle, because he is physically incapable of working in formation with the phalanx. He betrays them because of this, and his remorse drives him to kill himself.
I think it's hard to have an argument over overtly aggressive behavior of the Spartans, they were a people who placed a great deal of stock in being warriors, but I would say that it was a very aggressive era, and that the Persians were no less aggressive, perhaps even more so, seeing as how far the empire had spread.
So I suppose what I'm saying is that while I can see why you'd be jaded against another interpretation of the story, given certain abuses of it in world history and Germany's history, that I don't feel "300" is guilty of the same abuses, and that you might enjoy it if you picked it up. It's only 5 issues, and I'm pretty sure they've collected them into one volume by now.
Edit: Just out of curiousity, how does that version of the quote end? And how is it interpreted?
"YOU SPOIL, YOU GET SPOILED! AAAAHAHAHAHAHA!"
A further discussion makes little sense since I haven't read the comics and thus can only nod and smile here. Thank you for your points, if I ever get the opportunity of reading 300 without of paying for it (my objections to Miller's general style of prose hold), I will.
The quote was a quick and dirty translation of Simonides' Epigram, the 'epitaph' of the 300 warriors. The usual English translation seems to be:
Translating the German version literally, it goes:
The interpretation is relatively obvious, I guess: It's a text showing appreciation of a group of people loyal to their deaths, after their death, thus implying that this sacrifice was not only for a greater good, but also that it was remembered, and cherished.
Accordingly, it was often used in Germany's long history of putting its sons into places where the best they could hope for was death. When Hitler gave the order to fight to the last man in Stalingrad, he referred to this quote.
And if I haven't seen further, it's because those bloody giants blocked my sight.
I would think its safe to say someone commanding a 4 million man army was aggressive.
Being fangoriously devoured by a gelatinous monster.
It was the most glaring example. A thousand minor trench defenses in WW1 were justified by the same line.
And if I haven't seen further, it's because those bloody giants blocked my sight.
That said, I mainly objected because I thought you were an American college student criticising authoritarian militaristic culture and I enjoy taking pot shots at hippies. Since you actually live in Germany and I've never been there, I'll defer to your judgement in this case.
"Poor Eli Nooo... *child starts crying*"
"Come on now, there's no need to make that kind of noise. It sounds awful and you'll upset other people." - Ionae from Spirit Engine 2
I think you'd find similar sentiments not just in Germany but in the other European countries involved in WW1. The Brits had their ideals of Christian sacrifice for one's brothers by walking into machine gun fire, and the French idea of the offensive was derived from the idea that as long as you were brave enough to charge into machine gun fire you would beat the other guy because of your superior morale. Not all of that came from embracing greek literature and the cult of the Spartan warrior, but these aren't attitudes we have to worry about very much now in Europe or America.
More of an issue in Arab lands if you ask me, but they probably won't see 300 for a while.
And this is where I drop the bomb.
It has been suggested - with some reason, if you ask me - that parts of contemporary American culture and Wilhelminianism are comparable:
Wilhelminians argued that the best way of educating a young man - the best way to "make a man of him" was military drill. This opinion finds itself reflected in American movies, in the success of 'boot camps' for misbehaving kids, or opinions that a good person of authority should have served in the forces.
Wilhelminians argued that a nation's foremost pride had to be its military. In contemporary American politics, any single candidate, no matter of what opinion, will try to give the impression that he "supports our troops", that he "stands behind the troops", no matter what kind of actions were performed by the military lately. Even during the height of Abu Guhreib, everyone still proclaimed how much they supported the troops.
Wilhelminians were absolutely convinced that God was with a single nation, and that nation was Germany.
When Germany lost WW1, Wilhelminians were quick to point out that the German military stood "unbeaten in the field". They created the "Daggerthrust-Legend" which argued that the defeat was due to left politicians and pacifists staging a revolution on the "home front". Talked to a conservative American about Vietnam lately?
Note that I bolded that "parts" at the beginning. This, like any other sweeping generalization on the national level, limps: The mentioned traits are only a selection of what defined Wilhelmianism and are in turn only applicable to a selection of Americans.
Still, Germany also included other cultural movements before the Great War broke out. I believe there's a very dangerous kind of nationalistic militarism loose in parts of America's culture, and this trailer struck me as a rather obvious example for this.
And if I haven't seen further, it's because those bloody giants blocked my sight.
This has to be understood in the context of U.S. history. There's a difference between supporting the "troops" and supporting the "military". We've had 30 years to accept how shamefully the soldiers returning from Vietnam were treated by opponents of that war. Spit on, called babykillers. Looking back, I think even vocal anti-war activists realize that the overwhelming majority of the men did not deserve what they got. They were just guys, many drafted, thrown into a sh*tty situation without any say in the matter. We may not have the draft now, but most of the soldiers in Iraq did not ask to be sent there, did not expect to be sent there, and now don't have any real choice in the matter.
Supporting the troops means you want these guys to get home safe and you recognize that they aren't the ones making decisions.
Fedaykin98 wrote:
wordsmythe wrote:
You're right, Zero, the Whilelmian movement used the Battle of Thermpylae as propoganda, but who cares?
Maybe you should reread your Plutarch and Herodotus, the story of this battle is the story of sacrificing oneself for the better good of many. Which, I think, is also the basis of the world's most popular religious movement.
From what I see in the trailer they explain why the Spartans were such bad-asses -and they were incredible bad-asses- and I hope that Miller includes all the cool things that Plutarch has Leonidas say. I don't see anything in this few minute long trailer that would lead me to believe that all the movie is about is creating a centralized, militaristic society. But then, not being from Germany, maybe I'm not sensitive to these things.
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I just downloaded the new trailer off of Live, and...I'm excited all over again. The teaser was nothing, this movie looks absolutely amazing. Even the colors were, um, amazing.
Hopefully it'll be more than just another pretty special effects face.
"YOU SPOIL, YOU GET SPOILED! AAAAHAHAHAHAHA!"